Favors The Flip-Flops

"Do you think the dictionary ever says to itself I’ve got these words that mean completely different..."

Fri, 24 May 2013 12:39:21 -0400

“Do you think the dictionary ever says to itself
I’ve got these words that mean completely
different things inside myself
and it’s tearing me apart?”

- Dean Young, “Selected Recent and New Errors” (via b0y-divisi0n)

livesandliesofwizards: Mr. Zabini, who was far wiser than his...

Fri, 24 May 2013 02:58:17 -0400

livesandliesofwizards:

Mr. Zabini, who was far wiser than his house-mates, emerged from the war largely blameless, and he made his mother’s seven fortunes seven times over, and he married a pretty and engaging creature, and they had three daughters. And like Mr. Zabini himself, they had no use for people outside their little circle and they chose to spend their days discussing fortunes, be it at their father’s table or in some exclusive corner of the Slytherin dungeons.

Nona, who was the eldest, excelled at spinning the stories of their contemporaries, introducing a fallen blood traitor here, or a penniless half-blood there. And Sudice, who was the middle child, had no compulsions about taking the measure of such unfortunates, assigning to each exactly what was their due. While Moirai, who was the youngest, was the most like her grandmother, and prone to cutting people short.

They had learned from their father well. He had told them, “They’ll think you arrogant and cruel because you will not descend to their level. But why make sordid connections, or throw yourself at scheming housemates who’ll only drag you under? No, there’s freedom and power, too, in not cleaving to the crowd. Only then can you choose your fate, and not have it chosen for you.”

At Mr. Zabini’s table and in those exclusive corners of the Slytherin dungeons, if you do not choose your fate, you will have it chosen for you.

honeyspider: Rani

Fri, 24 May 2013 02:35:49 -0400

honeyspider:

Rani

I’ve just spent ten minutes imagining this as my morning...

Fri, 24 May 2013 02:35:21 -0400

I’ve just spent ten minutes imagining this as my morning coffee, and I… I think I might need to go breathe into a paper bag and pretend like it wouldn’t be the equivalent of any normal person finding, like, a spider in their cereal.

Ororo Munroe by Stephanie Hans

Fri, 24 May 2013 02:29:12 -0400

Ororo Munroe by Stephanie Hans

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Fri, 24 May 2013 02:28:46 -0400

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Fri, 24 May 2013 02:27:47 -0400

“…do I smell rosemary?” SHUT-UP I LAUGHED.

Fri, 24 May 2013 02:25:04 -0400

“…do I smell rosemary?”

SHUT-UP I LAUGHED.

ziusik: orangewithaface: NINE’S FACE IN THAT THIRD GIF...

Fri, 24 May 2013 02:24:06 -0400

ziusik:

orangewithaface:

NINE’S FACE IN THAT THIRD GIF OMG

GOD I NEED TO RE-WATCH ALL OF NINE NOW

still my favourite season, still my favourite doctor.

beautilation: rose mcgowan giving zero fucks at the 1999...

Fri, 24 May 2013 02:22:41 -0400

beautilation:

rose mcgowan giving zero fucks at the 1999 vmas

I distinctly remember going O_O when this happened, and once again, in retrospect, there was just never a time I was straight like ever.

gleeson666: do you ever get into one of those situations where you’re like “I need to stop hating...

Fri, 24 May 2013 02:17:19 -0400

gleeson666:

do you ever get into one of those situations where you’re like “I need to stop hating this particular person it’s not going to get me anywhere I’m just going to grow up and move on with my life” but then they do the tiniest thing to piss you off and then you’re like “nope fuck you right off I want to throw you off a bridge”

"This is an excellent writing advice from Chuck Palahniuk. This was first seen on tumblr...."

Fri, 24 May 2013 02:15:39 -0400

“

This is an excellent writing advice from Chuck Palahniuk. This was first seen on tumblr. Unfortunately, when I clicked on the link, it no longer existed.

But, I still think it’s worth sharing.

writingadvice: by Chuck Palahniuk

In six seconds, you’ll hate me.
But in six months, you’ll be a better writer.

From this point forward—at least for the next half year—you may not
use “thought” verbs. These include: Thinks, Knows, Understands,
Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred
others you love to use.

The list should also include: Loves and Hates.
And it should include: Is and Has, but we’ll get to those later.

Until some time around Christmas, you can’t write: Kenny wondered if Monica didn’t like him going out at night…”

Instead, you’ll have to Un-pack that to something like: “The
mornings after Kenny had stayed out, beyond the last bus, until he’d
had to bum a ride or pay for a cab and got home to find Monica faking
sleep, faking because she never slept that quiet, those mornings, she’d
only put her own cup of coffee in the microwave. Never his.”

Instead of characters knowing anything, you must now present
the details that allow the reader to know them. Instead of a character
wanting something, you must now describe the thing so that the reader
wants it.

Instead of saying: “Adam knew Gwen liked him.” You’ll have
to say: “Between classes, Gwen had always leaned on his locker when he’d
go to open it. She’s roll her eyes and shove off with one foot,
leaving a black-heel mark on the painted metal, but she also left the
smell of her perfume. The combination lock would still be warm from her
butt. And the next break, Gwen would be leaned there, again.”

In short, no more short-cuts. Only specific sensory detail: action, smell, taste, sound, and feeling.

Typically,
writers use these “thought” verbs at the beginning of a paragraph (In
this form, you can call them “Thesis Statements” and I’ll rail against
those, later). In a way, they state the intention of the paragraph. And
what follows, illustrates them.

For example:
“Brenda knew she’d never make the deadline. Traffic
was backed up from the bridge, past the first eight or nine exits. Her
cell phone battery was dead. At home, the dogs would need to go out, or
there would be a mess to clean up. Plus, she’d promised to water the
plants for her neighbor…”

Do you see how the opening “thesis statement” steals the thunder of what follows? Don’t do it.

If nothing else, cut the opening sentence and place it after all the others. Better yet, transplant it and change it to: Brenda would never make the deadline.

Thinking is abstract. Knowing and believing are intangible. Your
story will always be stronger if you just show the physical actions
and details of your characters and allow your reader to do the thinking
and knowing. And loving and hating.

Don’t tell your reader: “Lisa hated Tom.”

Instead, make your case like a lawyer in court, detail by detail.

Present each piece of evidence. For example:
“During roll call,
in the breath after the teacher said Tom’s name, in that moment before
he could answer, right then, Lisa would whisper-shout ‘Butt Wipe,’ just
as Tom was saying, ‘Here’.”

One of the most-common mistakes that beginning writers make is leaving their characters alone. Writing,
you may be alone. Reading, your audience may be alone. But your
character should spend very, very little time alone. Because a solitary
character starts thinking or worrying or wondering.

For example: Waiting for the bus, Mark started to worry about how long the trip would take…”

A better break-down might be: “The schedule said the bus would come
by at noon, but Mark’s watch said it was already 11:57. You could see
all the way down the road, as far as the Mall, and not see a bus. No
doubt, the driver was parked at the turn-around, the far end of the
line, taking a nap. The driver was kicked back, asleep, and Mark was
going to be late. Or worse, the driver was drinking, and he’d pull up
drunk and charge Mark seventy-five cents for death in a fiery traffic
accident…”

A character alone must lapse into fantasy or memory, but even then
you can’t use “thought” verbs or any of their abstract relatives.

Oh, and you can just forget about using the verbs forget and remember.

No more transitions such as: “Wanda remembered how Nelson used to brush her hair.”

Instead: “Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.”

Again, Un-pack. Don’t take short-cuts.

Better yet, get your character with another character, fast.
Get them together and get the action started. Let their actions and
words show their thoughts. You—stay out of their heads.

And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.”

For example:
“Ann’s eyes are blue.”

“Ann has blue eyes.”

Versus:

“Ann coughed and waved one hand past her face, clearing the cigarette smoke from her eyes, blue eyes, before she smiled…”

Instead of bland “is” and “has” statements, try burying your details
of what a character has or is, in actions or gestures. At its most
basic, this is showing your story instead of telling it.

And forever after, once you’ve learned to Un-pack your characters,
you’ll hate the lazy writer who settles for: “Jim sat beside the
telephone, wondering why Amanda didn’t call.”

Please. For now, hate me all you want, but don’t use thought verbs. After Christmas, go crazy, but I’d bet money you won’t.

(…)

For this month’s homework, pick through your writing and circle every “thought” verb. Then, find some way to eliminate it. Kill it by Un-packing it.

Then, pick through some published fiction and do the same thing. Be ruthless.

“Marty imagined fish, jumping in the moonlight…”

“Nancy recalled the way the wine tasted…”

“Larry knew he was a dead man…”

Find them. After that, find a way to re-write them. Make them stronger.

”

- (via wingedbeastieanji)

cruello: Astronaut Anna Fisher John Bryson

Fri, 24 May 2013 02:08:58 -0400

cruello:

Astronaut Anna Fisher

John Bryson

thisisnotmyfairytaleendingg: Cartier Love bracelet “Unlike...

Fri, 24 May 2013 02:08:47 -0400

thisisnotmyfairytaleendingg:

Cartier Love bracelet

“Unlike traditional bracelets, which are either wide enough to slip them over the hand onto the wrist or can readily be opened in order to put them on, the Love bracelet is designed to be opened only using a special screwdriver that is supplied with every bracelet. The screwdriver is also available in the form of a necklace, allowing the bracelet to be “locked” onto one person while the “key” is kept around the neck of another as a symbol for their commitment to their relationship.”

Yeah, I’m PRETTY SURE they didn’t intend for this to be used by couples in the kink scene as much as it is.

I have no idea what this is, but can I just say that following...

Wed, 22 May 2013 11:28:29 -0400

I have no idea what this is, but can I just say that following this tumblr has made my dash immeasurably more awesome?

Klara Hemmerich

Wed, 22 May 2013 01:14:56 -0400

Klara Hemmerich

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Wed, 22 May 2013 01:10:13 -0400

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Tue, 21 May 2013 11:48:40 -0400

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Tue, 21 May 2013 02:34:20 -0400

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Mon, 20 May 2013 15:03:07 -0400